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“Practically alone among the American writers of his generation, [Sinclair] put to the American public the fundamental questions raised by capitalism in such a way that they could not escape them.” —Edmund Wilson
When it was first published in 1906, The Jungle exposed the inhumane conditions of Chicago’s stockyards and the laborer’s struggle against industry and “wage slavery.” It was an immediate bestseller and led to new regulations that forever changed workers’ rights and the meatpacking industry. A direct descendant of Dickens’s Hard Times, it remains the most influential workingman’s novel in American literature.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
About the Author
Upton Sinclair (1878-1968) was born in Baltimore. At age fifteen, he began writing a series of dime novels in order to pay for his education at the City College of New York. He was later accepted to do graduate work at Columbia, and while there he published a number of novels, including The Journal of Arthur Stirling (1903) and Manassas (1904). Sinclair’s breakthrough came in 1906 with the publication of The Jungle, a scathing indictment of the Chicago meat-packing industry. His later works include World’s End (1940), Dragon’s Teeth (1942), which won him a Pulitzer Prize, O Shepherd, Speak! (1949) and Another Pamela (1950).
Ronald Gottesman was born in Boston and earned degrees from the University of Massachusetts and from Colgate and Indiana universities. He has taught literature, film studies, and humanities courses at Northwestern, Indiana, and Rutgers universities, the University of Wisconsin, and the University of Southern California, where for nine years he directed the Center for the Humanities. Founding editor of the Quarterly Review of Film Studies and Humanities in Society, Professor Gottesman was editor and author of many articles and books on literature and film, including three on Upton Sinclair.
“When people ask me what has happened in my long lifetime I do not refer them to the newspaper files and to the authorities, but to [Sinclair’s] novels.” —George Bernard Shaw